ATMOSYNTH built-in module
A slow wave that moves something else rather than being heard itself. Patch its output into another module's modulation input — an oscillator's Detune, say — and that input rises and falls at the rate set here. How far it moves is set where it arrives. Its own rate is a modulation input too, so a second LFO patched into Rate speeds this one up and slows it down; how far, Rate amount sets.
Four notes played on Keys, their level moved by it.
Ports: audio input ‘Rate’, audio output ‘Out’.
18 published patches
A Juno-6 as its panel was left: pulse, sawtooth and the sub-oscillator together, the pulse width swept by the one shared LFO, a ladder filter tracking the…
The finished blues trio from a zine that builds a 12-bar blues one instrument at a time. Two choruses: the first with held organ chords, the second with a…
Stage 6 of a 12-bar blues built one instrument at a time. The whole trio from stage 5, now arranged into the full twelve-bar blues: three lines of four bars (A…
Stage 5 of a 12-bar blues built one instrument at a time. The organ from stage 4 through a homemade Leslie (a spinning speaker): a Tremolo pulses the volume, a…
Drums to play with pads ranging from C2 to D2
5 sequencers feeding subgraphs for Kick, HiHat, Bass, Pads, Lead - resulting in one groove.
A first attempt at a complete song
The legendary 8-bit sounds from the legendary game console
The Ricoh 2A03 as a band of four, which is all the Famicom and the NES ever had to make music with. Two pulse channels, whose only choice of tone is how much…
5 sequencers feeding subgraphs for Kick, HiHat, Bass, Pads, Lead - resulting in one groove.
A Juno-6 as its panel was left: pulse, sawtooth and the sub-oscillator together, the pulse width swept by the one shared LFO, a ladder filter tracking the…
The chorused keyboard of a hundred eighty-three records, from default modules only. One analog oscillator's pulse with a slow wave moving its width — that…
