Amplitude envelope
ATMOSYNTH built-in module
Shapes the level of whatever passes through it: attack, decay, sustain and release. Times are measured from the moment the note starts.
Four notes played on Keys, passing through it on their way out.
ATMOSYNTH built-in module
Shapes the level of whatever passes through it: attack, decay, sustain and release. Times are measured from the moment the note starts.
Four notes played on Keys, passing through it on their way out.
Ports: note input ‘Note’, audio input ‘In’, audio output ‘Out’.
39 published patches
The Ricoh 2A03 as a band of four, which is all the Famicom and the NES ever had to make music with. Two pulse channels, whose only choice of tone is how much…
@wake.st ·
a test of the emergency alert system
@center.for.cybernetic.beauty ·
added a sync delay
@center.for.cybernetic.beauty ·
@center.for.cybernetic.beauty ·
Try A#1
@center.for.cybernetic.beauty ·
5 sequencers feeding subgraphs for Kick, HiHat, Bass, Pads, Lead - resulting in one groove.
@center.for.cybernetic.beauty ·
@center.for.cybernetic.beauty ·
The OB-Xa brass stack of the keyboard riff everyone knows from 1984, rebuilt out of the library: four sawtooths spread sixteen cents either side of the note,…
A Juno-6 as its panel was left: pulse, sawtooth and the sub-oscillator together, the pulse width swept by the one shared LFO, a ladder filter tracking the…
A percussive hit from default modules only: a band-passed burst with no sustain.
A voice-like sound from default modules only: a narrow band-pass where a formant would sit.
A sound effect from default modules only: a heavily resonant sweep with no pitch centre.
A bass built from default modules only: a square closed right down, short and firm.